Page 18 - Reside Magazine Lusk Associates
P. 18

A             lthough he only stayed for three days, Lord Byron was so
                      taken by the “glorious Eden” of Sintra, Portugal, that he wrote
                      his poem “Childe Harold’s Pilgrimage” while lodging at the
                      town’s Lawrence Hotel. Since Byron’s 1809 visit, much of
                      the surrounding landscape appears unchanged, including the
                      bouldered  rump  of  the  Serra  de  Sintra  mountain  range,
        sprawling walls and parapets of the Moorish Castle, quaint villages shaded by
        eucalyptus, and pine forests at its foothills, leading towards coastal cliffs that
        drop sharply into the Atlantic. Except, of course, for the steady influx of tourists,
        for whom the Lawrence Hotel has loyally remained open for 260 years.
             Sintra’s fantastical setting enchants those who stumble upon it. A long-
        term summer retreat for royalty, aristocrats, and foreign magnates, its stock
        of stately residences sees Madonna’s 18th-century Moorish Revival mansion
        neighboring Princess Elisabeth von Schmieder’s Quinta da Alegria royal estate.
        Both of which are also within spitting distance of Brazilian entrepreneur Renato
        de Albuquerque’s former summer residence, which has been newly transformed
        into the Albuquerque Foundation.
            “Sintra is like a child’s dream, a madman’s dream, a poem, a painting,”
        French designer Philippe Starck, another local homeowner, told Spanish
        newspaper El País. “It’s where the most beautiful houses in the world are,”
        and where Starck says he goes to “get away from it all.”
             Ancient empires, from the Celts to the Moors, have left their mark across
        several millennia, but it was Ferdinand II of Portugal who transformed Sintra
        into the center of 19th-century European Romantic architecture. The so-called
        ‘artist king’ erected Pena National Palace, an eclectic castle with operatic towers
        of Manueline and Moorish influence, on the ruins of an old Hieronymite
        monastery in 1839. The winding Rua Barbosa du Bocage links it with Sintra’s
        other iconic landmarks, the Palácio de Monserrate and the Quinta da Regaleira.
        These, along with the region’s many other monuments couched in mossy
        greenery, offer visitors a sensory journey through history—well deserving
        of the area’s UNESCO World Heritage status.
             In the summer months, these centuries-old palaces and estates open up
        their ornamental gardens, transforming Sintra into an outdoor stage. A ballet
        festival occupies the grounds of the
        Palácio de Seteais; Sintra Festival, an
        international showcase of classical
        music, can be heard on the June winds;
        while Jazz em Monserrate takes over
        the  town’s  parks  in  September.
        Though MU.SA Sintra Museum of the
        Arts has long been home to local arts,
        the region has been lacking a museum








        Previous page: A bridge leading to the
        Quinta da Regaleira, a former royal estate
        built in the early 20th century
        Right: The Palácio de Monserrate is an
        example of Sintra’s Romantic architecture

        Opposite: The Albuquerque Foundation,
        which opened in February, houses Brazilian
        designer Renato de Albuquerque’s
        collection of Chinese ceramics

                                                               16
   13   14   15   16   17   18   19   20   21   22   23