Page 25 - Reside Magazine Lusk Associates
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Reside — Spring 2025









                               ARTISTIC








                            HABITATS






















                                Going inside the                          ouse museums have long been a source of fascination—and
                          celebrated creatives, H                         they offer an intimate snapshot of the daily workings of people
                                                                          even infatuation—for visitors. Like a frozen-in-time shrine,
                              private abodes of
                                                                          whose lives are often shrouded in intrigue, from writers and

                                        a new book                        actors to artists and designers. But they also answer the
                                                                          somewhat nosy question of how celebrated figures really lived:
                                                             what kind of tchotchkes did they keep on their mantel? What does their
                               explores whether  kitchen look like? Were they the type to cook lavish dinners for dynamic groups
                                   home is where             of friends and acquaintances? Or were they the sort who only used the oven

                                the art is, writes           to store books? These things can tell you a lot about a person.
                                                                 In the foreword to the new book “Inside the Homes of Artists: For Art’s
                               Laura May Todd                Sake,” published by Rizzoli, curator Hans Ulrich Obrist confesses a similar
                                                             passion for house museums. He writes of visiting 19th-century painter Gustave
                                                             Moreau’s former home in Paris: “[It] was a ‘Gesamtkunstwerk’ [total work of
                                                             art], full of Moreau’s drawings and collections. It was like looking into the
                                                             mind of the artist, enabling me to start to understand his way of thinking.”
                                                             While house museums allow us a glimpse into the minds and habits of artists
                                                             long gone, to have the opportunity to peek behind the curtain into the inner
                                                             workings of artists currently at the top of their creative game is so much
                                                             more riveting. This book—written by art collector Tiqui Atencio Demirdjian—
                                                             does exactly that, inviting the reader into the private domains and studios of
                                                             24 of the most prolific artists working today.
                                                                 For all of these artists, the home plays a pivotal role in their practice:
                                                             as a staging ground for in-process works; a compendium of inspirations
                                                             and  objects  to  be  referenced;  and  often  as  an  archive  of  rough  drafts
                                                             or discarded ideas. Some have filled their home with their own art, such as the
                                                             Los Angeles-based French artist Claire Tabouret, known for her evocative,
                                                             figurative paintings, often highlighted with fluorescent shades. Between the
                                                             antique wooden ceiling beams of her 1920s cottage in the neighborhood

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